Writing fiction is a solitary pursuit. Even if you write collaboratively the actual creation of the work still originates entirely in your mind. Good writing is an extension of your soul, an intimation of originality, a piece of who you are creatively. Whether literary works that become masterpieces, or thrillers that titillate for a season, the words--and the sweat it takes to create them--are the pound of flesh sacrificed to the art.
Having said that, none of us work in a vacuum. We have experts we consult for depth and accuracy, editors that help show us the error of our ways and shape our words to maximum effect, publishers (for some of us) that help get the words printed and exposed to the reading public and friends and trusted writer friends to act as beta readers. These latter are our best hope of bringing a good story forward, for they tell us the truth, which is far more valuable than the pat on the back from well-meaning relatives.
Here in the Pacific Northwest writers also have another precious resource; other gifted writers who generously share their time, talent and insight with each other. Aspiring and veteran authors alike glean invaluable tips at seminars, trade shows, writers groups and online connections. Smart novices go to group book signings. They introduce themselves and get to know people laboring in the same field. We cheer each other on and rejoice at the success of our compatriots.
If you are a writer, or aspire to become one, come out of your cave once in a while and look around at the resources available to you. Join the Pacific Northwest Writers Association, become a supporter of the Seattle 7 Writers group or the Idaho Authors Association Facebook page. If you can muster the dough, the Idaho group is having a conference May 3-5, and PNWA is having their conference July 19-22. These are fantastic opportunities to meet successful authors, attend rewarding seminars on all aspects of the craft and connect with others at all stages of their careers. I save money all year just so I can attend at least one conference. If you attend the PNWA Conference, look for me, I'll be there and would love to share war stories. The Seattle 7 Writers also sponsor more intimate seminars that focus with laser sharpness on the art and science of writers.
Despite our solitary labor, there is a vibrant community of authors all around us anxious to exchange ideas, commiserate with our woes and urge us on to better writing and greater success. It is this community of hermits that help me thrive, keep me going and applaud my effort even as they temper the steel. I admire the dedication and openness and enjoy my small contributions. In the end we all do what we do to honor the words and the story.
Showing posts with label PNWA. Show all posts
Showing posts with label PNWA. Show all posts
Tuesday, April 10, 2012
Sunday, August 7, 2011
Housekeeping
I've neglected this blog for too long, but I have an excuse. I spent the last month putting all the pieces in place to e publish my book 'Island Dawn'. It's up and available for Kindle and Nook for just $3.99, so I invite my followers and friends to give it a download and then send me some feedback. I'm planning some new posts very soon, so stay tuned.
As an aside, I spent the last week at the Pacific Northwest Writers Association Conference in Bellevue, Washington rubbing elbows with NY Times bestselling authors and senior agents from major literary representation firms. My work has been well enough received that several want to take a look. So wish me luck, perhaps I might find print with a publisher and actually have something to autograph for fans in the future. I remain hopeful, particularly with so many wonderful fans rooting for me. Thanks to you all.
As an aside, I spent the last week at the Pacific Northwest Writers Association Conference in Bellevue, Washington rubbing elbows with NY Times bestselling authors and senior agents from major literary representation firms. My work has been well enough received that several want to take a look. So wish me luck, perhaps I might find print with a publisher and actually have something to autograph for fans in the future. I remain hopeful, particularly with so many wonderful fans rooting for me. Thanks to you all.
Saturday, October 23, 2010
Duck Soup & Dead Bodies
This is a potpourri posting of reviews for things totally unrelated, but which gave me pleasure, and by inference, may give you pleasure as well, should you choose to partake of any of the opportunities described herein.
Food
Persistence pays. I have been advocating for duck pho on the menu at Soy House for a long time, and my persistence has come to fruition, sort of. After weeks of tinkering with the recipe, they finally introduced it to the menu. As their unique and delicious pizza was in the beginning, this item is an 'experiment', for now. You need to ask for it, and it isn't available every day--yet. I suggested they make a Facebook post on days it is on the menu, and trust me, you will want to try this. This pho, like all of their soup offerings begins with it's own broth. Most restaurants (including a lot of very pricey haute cuisine joints that should know better) use a 'base' as a short-cut for broth or stock. Imagine that little bullion cube from the red or green can on steroids and you get the idea. Not so at Soy House. I have actually seen roasted bones heading for the stock pot for the beef pho, and each broth is carefully constructed for fabulous flavor to enhance the principal ingredient in a given dish. This duck is delish, full of rich but nuanced flavor. Served on the side is fresh lime, jalapeno slices, mung bean sprouts and leaf lettuce (instead of Thai basil, which isn't really suited to this soup). Made with your choice of rice or egg noodles (get the egg noodles, they work with the flavor profiles better) this is a must-try for lovers of pho.
Their innovative Vietnamese influenced pizza made it to the regular menu (read my review in an earlier post Mason Jar Madness ) after a long introduction period, and I remain hopeful the same will be true for the duck pho. Asian cusine without duck somewhere on the menu is like BBQ without ribs. You can do it, but something important is missing.
'RED' is entirely implausible and predictable to a fault, and yet it has an irresistible element of big explosion, high body count, wry comedy and an almost believable May-September romance element to it that I found fun. Bear in mind, this will not be laden with statuette nominations from the Academy, nor will it get much notice from snooty reviewers, but people of a certain age and gender (male boomers, for instance) will not feel cheated. There is lots of Wile E. Coyote v Roadrunner violence, just enough CG to be entertaining and a star-studded passel of cast members with their tongues planted firmly in their cheeks while delivering their lines. The locations are interesting enough, mostly edited in from second-unit-no-principals-in-sight footage, and enough shell casings are scattered to keep an armorer reloading for about five years. This is 'Space Cowboys' recast in CIA garb. Great movie making? Not so much. A lot of fun for men of a certain age (and the women who love them)? You bet. It was for me, anyway.
Fatalities (ok, I couldn't come up with a decent alliterative for the last book I read, so sue me.)
Damage Control by Robert Dugoni. Bob is quickly becoming one of my favorite contemporary authors. Mostly writing legal thrillers, his characters and situations--while sensational and intense, as a thriller should be--also have a ring of truth to them. Dialogue is natural, plot lines flow evenly, leading to a crescendo of action with a finely crafted resolution leaving the reader fulfilled. This is not an easy task, so as a writer myself, when I encounter it, I particularly enjoy quality .
Damage Control is Dugoni's second book of fiction and yes, yours truly, ever behind the curve, is commenting on a book published four years ago. There are two reasons for this: One, I opted to start at the beginning of his series when I gave a brief thumbs up to Jury Master in an earlier post, Reading to write right, right? I met Bob at a book signing and writer's discussion sponsored by the Pacific Northwest Writers Association, to which we both belong. He was signing his latest, Wrongful Death, (a shiny new copy of which awaits my attention) and I was a boy on a budget, so it was paperback for me.
Two, I wanted to try reading a thriller on my new Nook e-reader, and again, being on a budget it was the perfect choice. $7.99 for the download, forever available to me, and not an inch of already groaning bookshelf space occupied. I finished the last hundred pages of the book during a two-hour back up at the Canadian border waiting to get back into the U.S. I won't spend any time recounting plot details or characters, that was done by the NY Times years ago, I'll just say I was fully engaged by the book, enjoyed it for what it was--a diverting drama full of the requisite protagonists in peril, dead bodies piling up and mischief and malfeasance in high places. It was a great read and, after all, isn't that what most writers hope for when they put their babies out for the world? Thanks, Bob. Keep 'em coming.
Food
Persistence pays. I have been advocating for duck pho on the menu at Soy House for a long time, and my persistence has come to fruition, sort of. After weeks of tinkering with the recipe, they finally introduced it to the menu. As their unique and delicious pizza was in the beginning, this item is an 'experiment', for now. You need to ask for it, and it isn't available every day--yet. I suggested they make a Facebook post on days it is on the menu, and trust me, you will want to try this. This pho, like all of their soup offerings begins with it's own broth. Most restaurants (including a lot of very pricey haute cuisine joints that should know better) use a 'base' as a short-cut for broth or stock. Imagine that little bullion cube from the red or green can on steroids and you get the idea. Not so at Soy House. I have actually seen roasted bones heading for the stock pot for the beef pho, and each broth is carefully constructed for fabulous flavor to enhance the principal ingredient in a given dish. This duck is delish, full of rich but nuanced flavor. Served on the side is fresh lime, jalapeno slices, mung bean sprouts and leaf lettuce (instead of Thai basil, which isn't really suited to this soup). Made with your choice of rice or egg noodles (get the egg noodles, they work with the flavor profiles better) this is a must-try for lovers of pho.
Now, let's take a moment to ponder the humble duck, and dispel a couple of the myths surrounding the eating of same:
1. Duck is gamey.
WILD duck can be a little-or even a lot-gamey, but farm-raised duck is just a rich tasting dark poultry meat. It can, and should, be served medium rare when prepared as a grilled duck breast, something you dare not do with chicken. But grilled, smoked, marinated or roasted, it opens up your taste buds to a bevy of palate pleasing classics of cuisine. Don't be afraid, embrace your adventurous tendencies. Order the duck-forget the veal.
2. Duck is fatty.
The muscle meat of duck is nearly fat-free. Ducks and geese reserve almost all of their fat in their skin, which is what makes rendering out the fat possible, and yields--when done correctly--a fabulous taste, and far less fat and calories than the generic burger and fries you have no problem pounding down for a quick lunch. What little fat remains become about the best flavor-transport mechanism every designed by nature. Eat the skin, it's tasty!
Their innovative Vietnamese influenced pizza made it to the regular menu (read my review in an earlier post Mason Jar Madness ) after a long introduction period, and I remain hopeful the same will be true for the duck pho. Asian cusine without duck somewhere on the menu is like BBQ without ribs. You can do it, but something important is missing.
FILM
Fatalities (ok, I couldn't come up with a decent alliterative for the last book I read, so sue me.)
Damage Control by Robert Dugoni. Bob is quickly becoming one of my favorite contemporary authors. Mostly writing legal thrillers, his characters and situations--while sensational and intense, as a thriller should be--also have a ring of truth to them. Dialogue is natural, plot lines flow evenly, leading to a crescendo of action with a finely crafted resolution leaving the reader fulfilled. This is not an easy task, so as a writer myself, when I encounter it, I particularly enjoy quality .
Damage Control is Dugoni's second book of fiction and yes, yours truly, ever behind the curve, is commenting on a book published four years ago. There are two reasons for this: One, I opted to start at the beginning of his series when I gave a brief thumbs up to Jury Master in an earlier post, Reading to write right, right? I met Bob at a book signing and writer's discussion sponsored by the Pacific Northwest Writers Association, to which we both belong. He was signing his latest, Wrongful Death, (a shiny new copy of which awaits my attention) and I was a boy on a budget, so it was paperback for me.
Two, I wanted to try reading a thriller on my new Nook e-reader, and again, being on a budget it was the perfect choice. $7.99 for the download, forever available to me, and not an inch of already groaning bookshelf space occupied. I finished the last hundred pages of the book during a two-hour back up at the Canadian border waiting to get back into the U.S. I won't spend any time recounting plot details or characters, that was done by the NY Times years ago, I'll just say I was fully engaged by the book, enjoyed it for what it was--a diverting drama full of the requisite protagonists in peril, dead bodies piling up and mischief and malfeasance in high places. It was a great read and, after all, isn't that what most writers hope for when they put their babies out for the world? Thanks, Bob. Keep 'em coming.
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