'The Confession' by Robert Dugoni Book Review

          The jury is back and the verdict is unanimous. Robert Dugoni is not the ‘next’ anyone in legal thrillers, he’s the new standard against which others will now be judged. If Murder One was his Master’s thesis, then his latest David Sloane thriller, The Conviction, is his PhD; a dissertation in deception.

Sloane, the lawyer that never loses, finds himself reliving a horror from his recent past through the behavior of his step-son, who is suffering his own crisis of self-destruction brought on by witnessing his mother’s brutal murder and coming perilously close to his own. In a last ditch effort to reconnect—and keep Jake out of jail—Sloane accepts an invitation to go camping with an old friend and his son.

Jake, reluctantly followed by the younger boy, runs afoul of local law enforcement in a small town in California’s Gold Country. Whisked away, tried and convicted in a kangaroo court, the boys find themselves on the way to a juvenile detention center from Hell before the dads fully realize they are missing.

          Now, the law Sloane has manipulated to his advantage for so long, becomes a ponderous impediment, and he must decide if he can do whatever it takes—legal or not—to rescue the boys before time runs out.

          The Conviction, due out June 12^th from Touchstone, is a taut, riveting Tilt-A-Wheel ride that builds to a white-knuckle climax for readers. Dugoni is fully in command of his craft and does not disappoint. This book makes a compelling case that Robert Dugoni deserves a place atop the bestseller throne. All hail the new King of legal thrillers!

Robert Dugoni

The Conviction   ISBN: 978-1-4516-0672-0

Touchstone  Due for release June 12, 2012

R L Pace received an advance copy of this book, gratis, for review purposes, but purchased a pre-release copy at full price before reading ‘The Confession’ or writing this review.

'Bodily Harm' Book Review

A government official has a horrifying and murderous encounter with a mysterious assassin in China--and gets an assignment he dares not defy.

David Sloane, dubbed by the media as 'The Lawyer Who Never Loses', is in a hurry.  He's overdue in court--where he is about to win again--but doesn't feel at ease about the likely outcome.  A grubby young man, smelling of alcohol, accosts Sloane on the streets of Seattle, forcing a slim file on him, which he contends explains why the Doctor, whose career is about to end with the verdict, isn't responsible for the death of the child of Sloane's clients.

"The doctor did not kill that boy."

Sloane stopped.  Pedestrians maneuvered to avoid him.  Walking back to the curb, Sloane saw that the man held a photocopy of an article from The Seattle Times reporting on the medical malpractice case.

"How would you know that?"  Sloane asked.

"Because I did."

With that, Robert Dugoni has set the hook deeply with his novel Bodily Harm.

The action moves with breakneck speed as the attorney that has everything go his way professionally, soon finds his personal life in wreckage as this high-octane story of desperation in lofty corporate offices becomes interwoven with money, politics, murder and government agencies.  As with previous novels by Dugoni, this work really reaches beyond the conventional thriller as he stretches his literary lead over the work of Turow and Grisham.

It's not often I feel engaged by the literary merits of a thriller.  Too often they are paint-by-the-numbers formula pieces.  Bodily Harm though, like Wrongful Death, Damage Control and The Jury Master preceding it ( and previously mentioned on the pages of this blog), have that intangible quality of plausibility to them.  While you are irresistibly turning each page to see what's next, you can well imagine how these things could actually happen.

The characters are finely drawn.  The relationships are deeply felt by this reader, and the tragedies and triumphs resonate with real emotion.  In the end as the dust is settling and David Sloane emerges victorious yet anything but unscathed, he is left with one question:  "When does it stop hurting?"

You'll have to read the book to get the answer, but you better hurry--his next, 'Murder One' is set for release in early June, and I, for one, can't wait.

Forget being the 'heir apparent' to Scott Turow or John Grisham.  Robert Dugoni has re-defined the legal thriller and is in a class by himself.  Long live the new King!

Reading to write right. Right?

Among the things of which I am sure-and those diminish at an alarming rate as I age-is that writers read.  Good writers read a lot, great writers read obsessively.  I daresay you could ask any serious writer what they are currently reading and most would give you a laundry list of novels, non-fiction, magazines, blogs, newspapers, cereal boxes, trade publications, political opinions and even other peoples' shopping lists.  This would most likely be in addition to the material dedicated to research on whatever projects are ongoing in the writer's own work.

Writers read for the same reason non-writers do:  To inform themselves, to derive entertainment, to escape from their own work and world for a moment to inhabit another, and often, for inspiration.  Most of us in the writing life have the requisite number of How-To books, Strunk & Whites, dictionaria, thesauri, Bartlett's Quotations, a few atlases, and sagging shelves of classic and contemporary authors.  We also read for the sheer pleasure of seeing the language used gracefully; for that sweet turn of phrase and, of course, to see where we might pilfer an idea or just steal a grand metaphor.  Unlike most businesses-writers don't have trade secrets-we pour our recipe ingredients onto the pages of our work and pray that the world will come to taste our creation.  The cruel reality is that many deserving writers will labor in obscurity.  Their work will never go beyond their circle of family and friends not because it unworthy, but just because it is unlucky.

I have long since abandoned the notion of 'catching up' on my reading.  There is just too much.  I won't have the time to get to everything F. Scott Fitzgerald or Jane Austen wrote.  I'm particularly fond of Dickens and Shakespeare, but can't imagine I'll ever finish my studies.  My imagination was fired and illuminated by Bradbury and Asimov;  educated by Chekhov and Poe on the short-story.  Harper Lee and Upton Sinclair kindled a modern social conscience.  And these were all writers of fiction.  I haven't even begun on the writers of biographies, science, politics, history and music.  Nonetheless, writers have fans, and are fans.  In the contemporary writers of fiction category I'm a fan of Ken Follet, Khaled Hosseni, David Guterson, and two fellow laborers in the literary garden, Robert Dugoni and Mike Lawson.

At a recent Northwest Pacific Writers Association event I had the opportunity to meet both of these authors and introduce myself to their work.  I'm glad I did.

Robert Dugoni is a New York Times bestselling author of legal thrillers that should put Scott Turow and John Grisham on notice:  There's a new voice in town and he's taking no prisoners.  Introducing attorney David Sloane in his breakout work The Jury Master, Dugoni showed that, well defined characters, crisp pacing, relentless action and page-turning excitement is just the beginning of a well-plotted, suspenseful series.  In this case I decided to start with the first book in the series.  Robert followed with Damage Control, Wrongful Death and is well into the promotion phase of his fourth, Bodily Harm, with this character--and now I have a new must-read author on my list.  Thanks, Robert, for the encouragement in my own work, and the entertainment I derive from yours.  Now all I have to do is catch up.  Sigh..a reader's work is never done!

Mike Lawson, also a New York Times bestseller, was gracious enough to sign and gift an ARC copy of his latest political thriller, House Justice, (ARC is publishing-speak for advanced readers copy-what is usually sent out for reviewers prior to publication).  This time I found myself engrossed in established characters, with back-stories I now must explore from his previous books.  Political intrigue in high places, shadowy figures, dead CIA operatives, bodies piling up, all linked to the mysterious 'unnamed source' of a journalist desperately trying so salvage a failing career, add up to a splendid yarn where no one in the book is quite sure who all the players are until the dramatic conclusion.  His style is straightforward, filled with tension, insight into the machinations of Washington D.C., and a firm grasp of unremitting motion in plot and characterizations.  Unforgettable and another fun read for thriller fans.  I highly recommend it, and look forward to catching up with his series, starting once again at the beginning with Inside the Ring.  From there I'll move on to The Second Perimeter, House Rules and House Secrets, while the rest of you are reading his latest.  Again, my appreciation to Mike for his motivation and kind words.

There you have it, this is just a peek at what writers do to write right.